Florida painter, Everglades, Marco Island, artist Jo-Ann Sanborn

5/22/13

Palms on the Beach, painting by Everglades artist Jo-Ann Sanborn

Palms on the Beach, 2013, Jo-Ann Sanborn
acrylic on canvas, 16x12
 
 
Today's painting has a nice liveliness to it.  I've gone a step father than yesterday's small painting by paying more attention to the palm trunks.  It's a little larger, so easier to control the painting knife.  I've used a brush for the background, except for a bit on the wave, and like how the simple background doesn't compete with the color and texture of the palms.  

5/20/13

Prairie Party, daily painting by Everglades artist Jo-Ann Sanborn

Prairie Party, 2013, Jo-Ann Sanborn
acrylic on board, 5"x7"
 
 
Mini-paintings are a great way to get started in the morning. You get reacquainted with the paint and the feel of the brushes before starting something larger or more serious. If things go poorly, sometimes a mini is all that gets done for the day! 
 
This one was done mostly with the knife.  I'm reacquainting myself with the palette knife as part of work on a commission.  You can pick up quite a bit of paint on the knife, and when using several colors the results are unpredictable.  This make for excitement in the unexpected color combinations and a feeling of texture sometimes welcome  in acrylic paintings
 
I'm also paying more attention to the palm trunks and necks.  They are providing me with a surface opportunity for pattern and color that I have only recently utilized.  You'll see several more paintings in this style in the days ahead.
 
If you missed my May newsletter, but would like to read it, you can see it here. 

5/17/13

Thoughts on painting, and Palms by a Wave, daily paintiing by Everglades artist Jo-Ann Sanborn

Palms by a wave, 2013, Jo-Ann Sanborn
acrylic on board, 5"x7"
 


Some thoughts on painting:
 
Every painting needs a reason for being.  This reason must go beyond a basic representation, no matter how good the representation.

Every painting should be a unique and individual translation of what the artist sees, feels, believes. 
Every painting should communicate something greater than the thing represented to the viewer.  

Every painting should contain some "secret sauce", or, in other words, some "wow"? 

A good idea will transcend the skill of the artist. 

I believe these things, and try to put them into every painting.  That said, the reality of making something unique and personal every day is not easy.  For sure, every painting is not a winner.  I just hope that I am able to tell the difference between a keeper and one that needs additional attention.

May all of you who are painting today, or doing some other creative endeavor, have much good success.  

5/15/13

Edgy, painting by Everglades artist Jo-Ann Sanborn

Edgy, 2013, Jo-Ann Sanborn
acrylic on canvas, 20x24
 
 
Back to my precious Everglades.  Today's painting is one I started a while ago and was just begging to be finished.  I especially enjoy the small mangroves, just getting a foothold along the edge of a new location.  They seem so vulnerable when starting out, just little sprouts struggling to survive.
 
Wading birds congregate around the mangroves to feed and to nest during the dry months.  During the wet summer months, mangroves defend the shorelines against the howling winds and storm surge of hurricanes.  

5/13/13

A Starry Night, daily painting by Everglades artist Jo-Ann Sanborn

Starry Night, 2013, Jo-Ann Sanborn
acrylic on board, 6"x6"
 
 
On my trip last month, the ship was dark for three nights off the coast of Nigeria because of the threat of pirates.  Dinner was by candlelight, and all the curtains were kept closed after 6 p.m.  Large barrel-type spotlights were mounted on bow and stern, kept dark, but ready to illuminate danger if needed.  Salt water was sprayed continual down the sides of the ship to keep them too slippery for boarding.  We were instructed to go into the corridor and lie on the floor if we heard the pirate alarm, because the captain might take evasive action with the ship, which would have the potential to toss the passengers around.
 
At some point in the night I woke up and went out onto the balcony in the dark to check for pirates.  None, thank goodness, but to my amazement and delight, the sky was filled with an absolutely magnificent Van Gogh Starry Night.  The stars were enormous and filled the dark blue sky from horizon to zenith.  They were softened and haloed, and seemed to be spinning slowly.  The sound of the waves under the ship added to the magic. 
 
NO, I had not been drinking--not more than my usual one glass of wine at dinner, anyway!  I had always thought that Van Gogh had made up or exaggerated the Starry Night in his paintings, or was myopic, or some other rational explanation, so was very surprised and most delighted to see such a sight for myself. 
 
The night sky at sea far from land is full of surprise.  Another night I saw a night rainbow--yes, a night rainbow, between the clouds in beautiful soft greys with bits of color. That's for another painting! 

5/10/13

Horizon 4, 2012, Jo-Ann Sanborn
acrylic on board, 6"x6"
 

Horizon 2, 2013, Jo-Ann Sanborn
Acrylic on board, 5"x7", Sold

 
Horizon 3, 2013, Jo-Ann Sanborn
acrylic on canvas, 7"x5"
 
 
Horizon 4, 2013, Jo-Ann Sanborn
acrylic on board, 6"x6" Sold
 
Being by the water is special, and in the last month I've spent a lot of time watching the waves go by.  Some days have really special clouds, or sunsets, or sunrises.  I'd like to do some large paintings of just sky and water in the coming months.  To warm up, I've done a few small studies, and will probably do a few more before tacking a large sea/sky painting. 
 
A nice group of you came to tea last week.  Thank you!  It was so nice to see you all.  Wish I had taken a photo of you.
    
Here's one of the tea tables, though.  I loved using Nana's china and my tea pots.  It was such fun that I'll repeat it from time to time, so watch this blog for the next Tea Time at the Studio!

5/2/13

 
Pretty in Blue, 2013, Jo-Ann Sanborn
acrylic on canvas, 20"x24"
  
I've been away, and I've missed you! 
 
Please join me for
  
Afternoon Tea
 
Friday, May 3, 2013
 
4 p.m. - 5 p.m.
 
 
Sanborn Studio/Gallery at the Esplanade, Marco Island, FL 
 
 
Who remembers "A nice cup of Tea" in the morning?  This version is by Bonnie Hale, but you may remember Gracie Fields.


4/30/13

Three Watercolor Postcards

 

 

A little work today yielded three post cards. I'll use them for thank you notes here, or send them to collectors who may have purchased while I'm away.

Watercolor is a delicate and lovely medium in the right hands. I know that I have far to go before becoming competent in this difficult medium. I have, however, enjoyed varying from my usual acrylic, and being still able to work while traveling with very few materials.

I'm looking forward to my next visit to the Everglades, and to being back in my studio in familiar surroundings. I'm ready to have a big canvas in front of me and a big brush in my hand, and the space to stretch out a bit and work large again.

Travel expands our minds in many ways. Seeing the art and lifestyles of other cultures, past and present enriches our lives. In time, assimilation of the things I've seen and the experiences I've had will surely translate into growth in my artwork, but at this point I'm not able to predict what those changes will be.

I'll be back in the studio on Friday and look forward to seeing you! Come at 4 and you can join me for afternoon tea!

 

4/29/13

Tea Time

After an almost 30-year hiatus, tea has come back into my life. Green tea for breakfast, and a lovely black tea with milk in the afternoon. In the past I always drank tea with milk and sugar, but switiched to black coffee many years ago while working for FEMA on the island of Samoa following a storm. No tea, no milk until the supply boats came almost two weeks later. Black coffee was what was available, and that has been my choice ever since.

Now, however, I've been reminded of the advantages of having a nice cup of tea. Its a good pick-me-up, and good things to eat invariably accompany an afternoon tea. My personal favorite is a scone with cream and jam.

Several of the French impressionists made tea time a subject of their paintings. The Monet painting below is a beautiful example of afternoon tea in the garden.

Monet was serious enough about his afternoon tea time to have a beautiful Limoges set made for use at his home on Giverney. Afternoon tea was often served to visiting artists and guests, and was served in the lovely gardens when weather permitted. The recipe for Monet's Madeline's, a sweet, lozenged-shaped cookie, can be found in the cookbook Monet's Table, which describes how food was grown and prepared at Giverney.

Other impressionist artists like Renoir also painted tea time. The idea of afternoon tea is seeing s revival in our community on Marco Island. If you'd like to try a traditional cup of tea, please join me on Friday, May 5, at 4 p.m for tea and scones. I'm looking forward to seeing you.

 

4/22/13

The Gambia

There had been no formal welcome in our previous ports, but as the ship drew near the dock into Banjul, The Gambia, we were drawn to the rail by the beat of native drums. A trio of vividly costumed African dance groups accompaniedy by a bevy of drummers put on a terrific competition made us feel most welcome.

Also on the dock were stalls of quite a few local merchants, showing a wide variety of handmade arts and crafts. Much of the two-dimensional paintings were sand painting, seemingly made for the tourist trade, somewhat flat and not reflective of the lively community. The quality of the three-dimensional work was much better, with some fine examples of hand carved animals and figures of native wood.
I was particularly interested in fabrics, because this part of Africa is know for batiks, but on the dock I found a lot of tie-dye, but only one batik dealer. I am not good at bargaining, uncomfortable asking to pay less when these people seem to have so little, but eventually purchased the piece above. My batik depicts the life of the Gambians dying cloth, and I will hand stitch the edges and make a wall hanging of it.
The Albert Marketplace was a short shuttle bus ride away. Leaving the sunny street we went deep into a dank warren of vendor stalls, and found where the locals buy their goods, including native food and grains, shoes, a fish market, and exotic spice smells from small charcoal braziers in a restaurant area.
Of particular interest was an area dedicated to the tailoring of colorful local clothing. Men sat at a variety of pedal driven sewing machines while their assistants measured people for their hand tailored vividly colored garments. In comparison, it seems as though our lives are cellophane wrapped and sterile.

4/18/13

Ghana

I used my watercolors to capture some quick impressions of Ghana on bookmarks I had prepared ahead and brought with me for the purpose. These were all done in about 40 minutes, first drawing with an India ink pen and then color added with my watercolor brush pen. My interest in the trees is apparent, but I hope to do more sketches of the wonderfully colorful women carrying fruit and other goods on their heads and babies on their backs.

Arriving in Ghana, we docked in Takoradi, a bustling and important deepwater seaport city. Together with its sister city Sekondi it is the capital of western Ghana. The discovery of oil in the area has lead to a massive migration of people from all over the world. There is much poverty, and living conditions are quite different from what we are used to in the US, however the people seemed active and engaged in their daily activities with markets for fresh food and goods on every corner.

The sea is an integral part of life here, and we passed an active fish market with fish drying at the edges of the road. The beaches are beautiful, and there is a growing tourist industry.

The saddest part of human history is man's inhumanity to his fellow man. Among these is the exploitation of the Africa races. On the coast near Takoradi is Cape Coast Castle, a UNESCO World Heritage Site built by the Swedes in 1652, later occupied by the British. Slaves were held here, sometimes for months in unspeakable condition while awaiting transport to new worlds in need of cheap manpower to support growing economies. Below is the doorway of no Return, where slaves held in dungeons for months would catch a view of the sea before being herded in the holds of waiting ships.


The slave trade was a multinational business. Not only did the Swedes build the castle, which was occupied by the Portuguese and the British, but the slaves were prisoners of war from the tribal wars in Africa, were supplied by fellow Africans and Arabs, and shipped in French, British, Dutch and Portuguese ships to work in their colonies in the new world.
 

It was encouraging to see the bustling waterfront today, with the selling of fish and the mending of nets, children playing soccer, and families enjoying a swim in the sea in an area that had once held such heartbreak.

 

4/17/13

Cameroon

Cameroon is lush and green, with the sea peppered with small fishing boats in the early morning.

My watercolor kit is shown above, with a few of the postcards I've painted from Cameroon. It's easy to use and I have everything I need, although I must admit that I enjoying the recharging time as much as working. Notice the small bookmark down in the left hand corner of me enjoying the sea.

The Cameroonian woman who came on aboard to answer questions said there are few native handcrafts on shore, but the traditional white costume she was wearing is still handmade. I was particularly interested in the beautiful headscarves worn by both men and women, and was told they are imported from Nigeria

I visited a botanical garden and was particularly interested in the medicinal plants, many of which have not been introduced in America. There was also a couple of artisans selling their work, but we were advised by the guide not to purchase from them. We later found out that the reason was that the guide managed the official shop, which unfortunately contained little of quality or interest.

We also stopped at the Wildlife Center, a refuge for orphaned and injured lowland gorillas, gibbons and drills. The confines were somewhat small, but the thought that these magnificent animals would be releases into the wild was reassuring since all are severely endangered.

 

4/12/13

San Tome

After three days at sea, the islands of São Tomé and Principe appeared soon after sunrise. The islands are located in the Gulf of Guinea off the northwestern coast of Gabon, West Africa. San Tome was named by Portuguese explorers who arrived on St Thomas's feast day, and Portuguese is the language here spoken today.

The islands are part of an extinct volcanic range with rich soil. They are covered in lush tropical greenery surrounded by the dark blue and azure of the the sea. In the early morning, fisherman in colorful small boats seek a living from the abundant waters surrounding the islands. These are the colors of some Caribbean islands, Hawaii, and Marco Island, bold colors you will see later on my palette.

I did not find a painter to speak with, but learned there is a vibrant community of handcrafters who use local materials of shell and fish bone to make jewelry. The white skirt and blouse of traditional clothing is also handmade, but the beautifully patterned headscarves worn by most everyone are not made on the islands but on the African mainland.

The atmosphere is rich with color, abundant vegetation, humid sea air and sunlight, in strong contrast with the dry, brown, dessert regions of Namibia, visited earlier.

 

4/8/13

Namibia

Two days at sea brings us to Namibia, a vast desert nation with a population of only 1.9 million. We dock in Walvis Bay, passing working ships from many nations. Flocks of flamingos and pelicans feed in the Bay's nutrient-rich lagoon.

Namibia is also home to the Wel-witschia plant, one of the longest living plants on earth. The Wel-witschia can live up to 1000 years and survive without any rain for years.

Last night we drove miles into the desert for dinner, and were treated to African song and dance under the stars. Some guests walked up the highest dune to view of the undulating sand, (as depicted in the travel brochure) but I preferred the entertainment amid candle glow under a canopy of stars.

Dinner followed in draped tents. It was lovely, but the food reflected the need to please universal tastes. Wouldn't it have been delightful to have experienced the authenticity and variety of delicious African food?

 

4/5/13

Rome!

Rome! Fat pigeons and cappachino in a rooftop garden for breakfast and the Spanish steps out my window. Rome is full of people for the Easter holiday.

Walking the streets, the colors of the buildings are rich with the patina of age, and art and sculpture is everywhere. My art supplies remain in the suitcase as I experience visual artistic overload.
Enjoyed a visit to the Sistine Chapel yesterday. By 9 am the lines of people waiting already stretched many blocks. I was very glad to have pre-ordered the no-line tour which was well-organized and efficient. While it was delightful to see the Chapel, the beautiful Raphael paintings and the Pieta, after a while it was a relief to get away from the jostling crowds. Today is much quieter as the holiday visitors thin out.
 

3/29/13

Off to Africa! Palm by a Slough, daily painting by Everglades artist Jo-Ann Sanborn

Palm by a Slough, 2013, Jo-Ann Sanborn
acrylic on board, 7"x5"
 
 
 
You know me as an Everglade artist.  Often out in the glades or on the beach, painting the palms and landscape of South Florida.  (notice me peeking out from under the cloud)  But I'll bet you didn't know that I have an African side.  Yes, it's me again, peeking out from under an African sky. 


The above two-sided gem was made by a friend, and we are still giggling over the silliness of it all, however I'm truly grateful for the opportunity to accompany a dear friend on a trip to Africa's western coast this April.  

Thanks to another dear friend my studio will remain open Wed-Sat, and my affairs here on the island are in good hands.  I'll keep you posted if at all possible.   
 

Related Posts Plugin for WordPress, Blogger...